Bluebirdy

Putting the chomp in cute.

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everything thy heart can wish

“What aileth thee?” said Ahmed. “Hast thou not every thing thy heart can wish?”

“Alas, no!” replied the dove; “am I not separated from the partner of my heart, and that too in the happy spring-time, the very season of love!”

“Of love!” echoed Ahmed; “I pray thee, my pretty bird, canst thou tell me what is love?”

“Too well can I, my prince. It is the torment of one, the felicity of two, the strife and enmity of three. It is a charm which draws two beings together, and unites them by delicious sympathies, making it happiness to be with each other, but misery to be apart.”

- Washington Irving, “The Legend of Prince Ahmed al Kamel, or, The Pilgrim of Love,” from Tales of the Alhambra

the thing with feathers

HOPE is the thing with feathers–
That perches in the soul–
And sings the tune without the words–
And never stops–at all–

And sweetest–in the Gale–is heard–
And sore must be the storm–
That could abash the little Bird
That kept so many warm–

I’ve heard it in the chillest land–
And on the strangest Sea–
Yet, never, in Extremity,
It asked a crumb–Of Me.

- Emily Dickinson

I ride

There’s a serenity unparalleled in riding that clears my mind, frees my heart, and staves off my restlessness. When I ride I am liberated from responsibility, from time, from you. It’s not that you chain me, I suppose, it’s that you preoccupy me. Mostly I don’t even perceive this as an unwanted distraction. It’s more of a daydream that I enjoy during my moments of fixed gaze, those brief instants when I look away from my computer and fly out the window in a tumult of feathers and freedom.

Sometimes though, I know I want to go to you, to have things that aren’t mine for the taking, to find joy in our memories and dejection in our distance. You disrupt me, but I allow you to do this; the turmoil is my creation alone. And so I ride, not away from you but out of myself, up into that space where the sky is crystal and the only sounds are my horse’s metal shoes striking dirt and gravel and grass. Occasionally I imagine how wonderful it would be to have you riding there with me, but mostly, it’s just me and my inner peace.

darwin

me: well anyway, this woman is a lunatic
halffull: is she rich?
me: no. totally not
halffull: man, how has she not died yet? where is darwin when you need him?

can’t say i’m not alive

I’m a bitch, I’m a tease
I’m a goddess on my knees
When you hurt, when you suffer
I’m your angel undercover
I’ve been numb, I’m revived
Can’t say I’m not alive
You know I wouldn’t want it any other way

- Bitch, Meredith Brooks

Rules for good writing

I read an article entitled “Ten rules for writing fiction” today. Various authors were asked to provide their writing “tips” in a numbered list. Most of it was advice I’d heard before, however, this set of five by P.D. James gave me positive pause.

  1. Increase your word power. Words are the raw material of our craft. The greater your vocabulary the more ­effective your writing. We who write in English are fortunate to have the richest and most versatile language in the world. Respect it.
  2. Read widely and with discrimination. Bad writing is contagious.
  3. Don’t just plan to write – write. It is only by writing, not dreaming about it, that we develop our own style.
  4. Write what you need to write, not what is currently popular or what you think will sell.
  5. Open your mind to new experiences, particularly to the study of other ­people. Nothing that happens to a writer – however happy, however tragic – is ever wasted.

Magical

Jokingly, I’ve told people that I feared I’d wake up one day and announce that I had the craziest dream that I lived in Europe for two years. Well, If it was a dream, it was a most amazing dream, one in which I traveled the world, met new friends, hiked the mountains, played hockey in the snow, rode horses through the Swiss countryside, lost love, discovered love, got healthy, found myself.

And so I’m compelled to ask, was this return to what I call home really a good idea in the end? California, or rather, what I know as “home” is this deafening cacophony of demands on my body and soul. While most people might see a return to home as a time to relax, I see it as what I have grown up knowing it to be - a pushing, shoving, fall down, get up, scrambling race to get things, to get somewhere, to get whatever it is that I think I need before someone else gets it. A day after I’d landed in the bay I was in my car, which, like me, had picked up right where it left off and started up immediately after two years in storage, racing around the local highways with inexplicable urgency. I was eating with wooden chopsticks out of Chinese take-out boxes, then throwing them away to dash off to my next appointment. The phone was ringing, my inbox was overflowing, and I was still opening paper mail hours later. I’d made offers on houses, on horses, on work; I even half-heartedly tried to make offers on love but all I’d get in return is, “No Jess, you shouldn’t miss me.”

A long time ago someone I went to school with in Pittsburgh said to me regarding our imminent graduation, “Of course I’m going back (to California). My life is magical there.” I’ll admit, for years I didn’t understand how anyone’s life could be that wondrous anywhere, let alone in California where I’d spent so much of my life unhappy in the midst of seemingly impossible opportunity. What I learned half a decade later is that living an amazing life isn’t really a location-based accident. Ironically, I had to move to another country to make this discovery. Out of my element, I couldn’t make assumptions, couldn’t lay blame, had to react with curiosity and wonder to all things new, good and bad. People who have visited countries like to tell you lots of things about that country, about things they’ve seen on the surface or stuff they “know to be true” because they were there. But as I’ve said before, visiting isn’t living, and when you visit you take with you all of your prejudices and you hold onto them because there is no reason to let go, no need to integrate or understand or make friends. You’ll be home in days or a week, and you’ll be back to what you know.

When I returned to California what I feared most of all was returning not to the place, but to my prejudices and my experiences and myself, to that past person always unhappy and forever chasing the unreachable lure. But serendipitously, that person isn’t here anymore. I even looked for her, sought her out, challenged her to appear by falling back into my chaotic routine. She’s gone, and more importantly, she was never me. The person I came back from Europe with is me, was always me, just locked away for a long time waiting for freedom. When you wake up from a dream you’re the same person who fell asleep. This wasn’t a dream.

I was in Alicante, leaning on both elbows towards the person on the other side of my table when I said out loud, “My life is magical. I know what this means now.” And I knew, from that moment on, that wherever I went in the world my life would continue to be magical. I knew this because it’s not a place or a person or a thing that makes it so. It’s me. And the person across from me smiled and said, “It’s true.”

futility

me: don’t argue with me papaya
papaya: oh like i havent learned that by now
arguing w/ you is futile
me: it’s not only futile, it’s infuriating

Lucky

Do you hear me,
Talking to you,
Across the water, across the deep blue ocean
Under the open sky, oh my, baby I’m trying

Boy I hear you in my dreams
I feel your whisper across the sea
I keep you with me in my heart
You make it easier when life gets hard

Lucky I’m in love with my best friend
Lucky to have been where I have been
Lucky to be coming home again

They don’t know how long it takes
Waiting for a love like this
Every time we say goodbye
I wish we had one more kiss
I’ll wait for you I promise you, I will

- Lucky, Jason Mraz & Colbie Caillat

The Prophet’s Thumbprint

My pony Texas has an indentation in the right side of her neck. She’s had this dent since I bought her, and I always figured it was some kind of polo battle scar that she got during her high goal days. Yesterday a gal I play polo with said that a pony she just bought has the same mark, so she did some research and found out it’s called a “Prophet’s Thumbprint.” One explanation I found:

It is said that Mohammed once tested his Arabian horses by depriving them of water for several days. He then let them all free near a watering hole, and they rushed to drink. Before they reached the water, he sounded his trumpet to call them, and only five mares returned. These five loyal mares were cherished and kept for breeding, the only ones fit to pass on their bloodlines. It is said that he pressed his thumb into their necks, marking them. Horses with thumbprints are thought to be “blessed.” In Thoroughbreds, this mark is considered to be a sign of speed and luck.

No wonder everyone loves my lucky dented pony.